Cristina García Atelier—Maximalist minimalism with a vision for the future

There are rooms that you enter—and rooms that welcome you. Cristina García‘s studio clearly belongs to the second category. Anyone who walks through the door here immediately senses that this is no ordinary showroom. It is a manifesto. Quiet, elegant, self-assured. And full of subtle wow moments.

Classic futurism instead of short-lived trends

The style of this studio cannot be summed up in a single keyword. And that is precisely what makes it so exciting. Cristina García deliberately moves between tradition and avant-garde. Folkloric details meet a vision of fashion in the year 2050. Sounds daring? It is. But in the best possible way.

Volume, ruffles, flowing silhouettes—everything that characterizes her fashion finds an architectural counterpart here. The feminine signature is present without being loud. Instead of decoration, there is attitude. Instead of showmanship, there is a clear vision: the past as a source of inspiration, the future as a goal.

A space that does not compete but curates

The studio was designed by Cateto Cateto, with Alejandro Cateto as the creative mind. The approach: maximum impact with minimal resources—and above all, without stealing the show from the garments.

The solution is as simple as it is clever. Removing old partition walls creates a surprising sense of spaciousness in just 80 square meters. An open floor plan that allows for air. Space to breathe. Space to work.

Colors that don’t decorate but tell a story

Shades of rose and mauve run like a subtle thread through the studio. Not bold, but subtle. They reflect the brand identity without exaggerating it. The result is a neutral, two-tone space that supports Cristina García’s designs almost silently.

This shows just how powerful restraint can be. Minimalist in structure, maximalist in detail. Curves dominate the picture. Soft, flowing, organic. No hard edges, no visual breaks. Everything appears to be cast from the same mold—almost as if the room itself were a garment.

Curtains instead of walls—flexibility as a design principle

One of the most exciting elements: the curtains. Where solid walls once divided the room, fabric panels now glide along the ceiling. They create structure without restricting space. Privacy where it is needed. Openness when desired.

The studio can be transformed in just a few simple steps:

• from the open showroom
• for fitting
• to the consultation room
• to the presentation area

This modularity is not only functional but also poetic. Mirrors enhance the interplay of movement, light, and reflections. Depending on the position of the curtains, the room appears intimate or spacious, fragmented or whole. A little magic included.

Suitable for everyday use, yet visionary

As futuristic as the concept may seem, it is just as pragmatic in everyday use. The multifunctional floor plan enables efficient working, spontaneous adjustments, and clear organization. Nothing is static. Everything can change. Just like fashion.

And just like Cristina García herself.

When interior design becomes a brand message

Ultimately, this studio is more than just a room. It is a spatial translation of a creative attitude. A symbiosis of fashion design and interior design, in which two styles become one. Tradition meets the future. Minimalism flirts with maximalism. And this tension gives rise to something that you not only see, but also feel.

A studio that demonstrates that true elegance does not require volume, only clarity and the courage to pursue one’s own vision.

If you love spaces that don’t try to please but rather remain true to themselves, then this studio is a quiet but very convincing statement.